Fairy Godmother Magic

Not Your Mother's Fairy Godmothers

My upcoming novel, The Golden Age of Magic, plays with the trope of fairy godmothers. In The Annotated Brothers Grimm by Maria Tatar, the Sleeping Beauty tale mentions thirteen Wise Women who were invited to the christening of Princess Aurora, the king’s daughter. It’s that line that kicked off the idea for the story. In that tale, they are called Wise Women, a term that conjures images of healers, midwives, and herb workers tucked away in a cottage deep in the woods. A sisterhood of women who were bestowers of the magical gifts of health and good fortune.

We also know that one of the thirteen has a less than stellar reputation in the kingdom after cursing the child and leaving her for dead. If not for the intervention of the final Wise Woman who had one last gift to give, the king’s child would have been doomed. Instead, the Wise Woman chose to temper the curse with the prospect of sleep.

At some point in time, the Wise Women in the tale were reimagined as fairy godmothers, but I always liked the more rustic idea of a group of women who lived in the woods brewing their elixirs and studying their magic somewhere on the outskirts of the kingdom. Minding their own business until called upon for a favor. But kingdoms fall. Wars break out. Time marches on. So what happened to the women in the woods, who’d come to be known as fairy godmothers, once the world they’d been created in no longer existed?

Imagining that the sisterhood of thirteen continued through to the twentieth century posed a fun question for me. What would they do in the age of airplanes and automobiles, movie theaters and skyscrapers? What would happen if one was sent to Hollywood in 1927? Well, in the novel they’re not stuck in the woods anymore. Just like any other modern woman, they’re exploring their freedom in the roaring twenties. Maybe a little more so since, you know, magic.

Art by Louis Icart


Every Fairy tale Needs a Villain

That is the tagline on the back cover of my next novel, The Golden Age of Magic. And I love it! When I got the idea for this novel, I knew I would be playing with established fairy tale norms. The main character is on the brink of becoming a fairy godmother, part of an ancient and revered sisterhood that has served the royal houses of Europe for centuries, which meant borrowing a well-known trope from all that rich oral tradition collected by the Brothers Grimm and Charles Perrault. And, yes, even a little inspiration from the Disney interpretations too.

Fairy tales are what many of us avid readers cut our teeth on. I’m a reader and writer today in part because I had a mother and grandmother who both read to me when I was young. Hearing those fairy tales and nursery rhymes over and over again planted the seeds of imagination early on. They made me later want to explore more stories and imaginary worlds on my own, which I suppose is how I ended up writing the types of stories I do.

I believe all my novels have a fairy tale quality to them, and that’s because I love a fantasy world that’s full of magic yet based in a real world setting. In my latest, there are heroes and wise old mentors, good intentions and evil schemes. Journeys, quests, rewards, and sacrifices. And, yes, a necessary villain or two. All set in the world of Hollywood, 1927.

New Novel Coming in June!

Just wanted to let readers know my newest novel, The Golden Age of Magic, is finally making its way through the production process. This one mixes fairy godmother magic with Old Hollywood, 1927. There’s enchantment, murder, and a little bit of love in this coming of age story.

We have a preorder page up on Amazon already, though it’s still in the preliminary stages. The official blurb and cover should be available soon! When I have them, I’ll of course post them here first.